CORPORATE PERSONHOOD PLAY FESTIVAL

When:Tuesday, December 7, 2010 – Wednesday, December 15, 2010
Time:8pm
Where:The Kraine Theater
85 East 4th Street
Manhattan, NY
Cost:Free w. RSVP @ reservations@subjectivetheatre.org

Horse Trade Theater Group Presents: The Subjective Theatre Company Corporate Personhood Play Festival. Subjective Theatre Company’s Corporate Personhood Play Festival will present nine 10-minute plays inspired by this ruling. Featuring new works by James Comtois, Fernanda Coppel, Matthew-Lee Erlbach, Julia Holleman, Patricia Ione Lloyd, Jerome Parker, Lucille Scott, Leegrid Stevens, and Melisa Tien.

FEATURING WORKS BY
JAMES COMTOIS, FERNANDA COPPEL, MATTHEW-LEE ERLBACH, , JULIA HOLLEMAN, PATRICIA IONE LLOYD, JEROME PARKER, LUCILLE SCOTT, LEEGRID STEVENS, & MELISA TIEN

LIMITED ENGAGMENT!
DECEMBER 7-15 AT THE KRAINE THEATER
SERIES A: DECEMBER 7 & 14
SERIES B: DECEMBER 8 & 15

SERIES A (December 7 & 14)

Seward, Kansas
Written by Matthew-Lee Erlbach & Directed by David Chapman
The soil is toxic, food is scarce, and corporate forces have taken control of all Kansas farms after a nuclear disaster. One farm in remote Seward may be the exception to the rulers.

Light Sweet Crude
Written by Melisa Tein & Directed by Nicole Watson
A snapshot of how great events affect small people, an illustration of the invisible connections we share with others, and a meditation on the responsibility of the corporation versus the responsibility of the individual.

SP/Lochner
Written by Julia Holleman & Directed by Steven Gillenwater
A comedic melodrama about how two scrappy young corporations in the 1880s persuade the Supreme Court to believe in their humanity using the only means at their disposal – passion, conviction, and, let’s not forget, money.

They Think Our Favorite Color is Green
Written by Patricia Ione Lloyd & Directed by Pat Golden
Menthol cigarettes, buff black men and corporate America’s racism; or just another day in the U.S. of A. What have we learned from the world’s leader of incarcerating its residents? How target advertising maximizes corporate profits, to laugh at tragedy, and how to get killer abs.

SERIES B (December 8 & 15)

Dammit, Office Girl!
Written by James Comtois & Directed by Danny Sharron
An employee pines, if not yearns, for an administrative assistant from afar. And by “afar,” we mean “five feet away.”

Brooklyn Skank
Written by Fernanda Coppel & Directed by Donya K. Washington
Leslie and Ryan work for Brooklyn Skank, an overpriced and trendy boutique in Brooklyn that is famous for its T-shirts that say “Made by a Brooklyn Skank.” Part of their daily routine is answering the age-old question, “Are these Brooklyn Skank T-shirts actually made by a Skank?” Leslie and Ryan have a stock answer that is approved by the Brooklyn Skank Corporation, but as this story unravels you get the sense that Leslie and Ryan have no idea how these garments are made and who makes them.

The Foundation
Written by Jerome Parker & Directed by Axel Avin, Jr.
Lawrence has put his heart and soul into building a non-profit that aids inner cities on a national level. As he prepares to turn over his reign to his young nephew, the woman who helped him build the foundation plans her revenge for being passed over for the top position. A short play about the ties that bind mixed with live jazz.

Target Monologue
Written by Leegrid Stevens & Directed by Rachel Wohlander
Target reflects on his difficult childhood.

Oh, Donna
Written & Directed by Lucile Baker Scott
In Oh Donna a beautiful young heiress (and friend of Paris Hilton’s) who has orgasmic tendencies with organic juice and a few secrets, takes over the world’s third largest communications company. Soon quite a bit of juice is spilled, along with a few drops of blood…